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Inigo Montoya as the True Hero of “The Princess Bride”: [Essay Example], words GradesFixer
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Are you interested in getting a customized paper? Check it out! Show More. Goldman really had no way of telling us what the character was all about. The director should have expressed the characters thoughts into words, which is not that difficult to do.
Another change that happened when developing the novel into a movie, was that the Zoo of Death was not shown in the movie. In the book, the Zoo of Death was one of the main places where the characters interacted. This is when we found out how good friends Inigo and Fezzik were. It was a great part in the book, because our imagination seemed to picture the Zoo of Death, quite easily.
Also the Zoo of Death proved to us how Prince Humperdinck was so obsessed with killing and hunting animals. It showed how the Prince had a rotten and evil personality, which no one could cope with.
When they described the Zoo of Death having various floors, and having hundreds of viscous animals. The accompanying orchestration and set design are equally outrageous, with swelling orchestrated passages intensifying even the slightest hint at love or danger, and old-fashioned painted skylines comprising many of the sets.
Foreign visitors and invaders promise adventure but often fail: 7 a gang of pirates attempts to kidnap Daphnis to a faraway land, but Chloe uses a herd of cattle to sink their ship before it leaves the bay I. It is a hopelessly overused ending by contemporary standards, but a humorous analogy for the equally conventional ending of Daphnis and Chloe. The second convention or facet of the Greek romantic novel is a lack of psychological characterization relative to the characters of modernity. The benefits of these minimally developed characters to the overall works are threefold: By nature of their simplicity, these characters are 1 more accessible to their audience, 2 more easily recalled in oral tradition, and 3 do not distract from the intricacies of the aforementioned plotline.
Lacking any discernable personality traits, Westley nevertheless proves himself to be a man of many strengths: sailing, rock-climbing, sword-fighting, intellectual gaming, hand-to-hand combat, and land navigation. On the evening that Princess Buttercup is to be unwillingly wed to Prince Humperdinck, he orchestrates a plan to sabotage the marriage with the help of his friends Inigo the Spaniard and Fezzik the Giant. The act is successful and Westley is reunited with Buttercup by means of his own skill and ingenuity.
Furthermore, the scene captures the essence of the male hero of Greek romantic novels: ever capable and powered by love. Both Westley and Daphnis showcase their masculine heroism when they find their heartbroken lovers just in time to prevent their suicides. Daphnis finds Chloe weeping and contemplating taking her life out of an erroneous belief that Daphnis has forgotten her IV.
Just as Daphnis and Westley are mere archetypes of the love-struck heroes of the Greek romantic novel, the other characters of the works are likewise formulaic. The developed characters that do exist in the text serve only as they contribute to the storyline and are not characterized any further than the plot demands: the cowherd Dorcon dies from a pirate attack upon giving Chloe the pipes that would sink the ship which has taken Daphnis hostage I.
Like other authors writing in the tradition of the Greek novel, Longus makes use of stock characters with easily identifiable sets of characteristics: the braggart, the drunkard, the conniving woman. His Inigo Montoya, the swashbuckling Spanish swordsman with a drinking problem, resembles the classic hero of Spanish picaresque literature with his blundering mannerisms and bragging habits.
Although Inigo becomes an unlikely hero of a subplot involving his vengeance on an accomplice of Humperdinck who killed his father, this is presented as a tangent from the main narrative of Westley and Buttercup, to which Inigo has little use other than comic relief.
The Princess Bride Essay | Essay
Like Reiner, Longus also employs an archetypal drunkard character for comedic purposes. But the simplicity of his motives makes him laughable as well as despicable.
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In a world of shallow characterization, even character names weigh heavily. Where Longus does not have room for complete character archetypes he includes characters with symbolically significant names, and Reiner follows suit. While characterization is already reduced via archetypes, Reiner goes on to simplify the names of even bit characters to whom this reduction is not applicable, applying literal names to characters such as The Impressive Clergyman and The Albino.
In this way the work emphasizes its lack of unique characterization, the second facet of the Greek romantic novel. The third facet, the theme of abiding love between the hero and heroine, is stressed to the point of exhaustion in these ancient works, providing a leverage with which the author can manipulate the lead couple. Lewis 10 with physical as well as behavioral symptoms.